Machines doesen't make decisions

Heinrich Mueller records as Dopplereffekt, Japanese Telekom, Arpanet and Der Zyklus. We talk with him about his new album - "Biometry" - released by DUB/Clone.



- Why did you decide to name your new project Der Zyklus?

This concept has been present for some time now it is not a recent invention.This is the latest theme within this conceptual template.

- The first vinyls of Der Zyklus released by Gigolo in the late 90. was electro beats-oriented. Why did you change a musical direction on "Biometry"?

The Biometric theme required a different technical perspective and the science of biometry stimulated the musical electronics. The music reflects concept of biometry.

- How did look your work on music for "Biometry": were it a rapid eruptions of inspiration or a slow experiments with sounds?

There is no single method for music development everything is considered. Whatever instigates the musical idea will be considered its stimulant.There is no formula or rectrictions on methodology. Musical creation should always be free of contraints.

- Are there any elements of laboratories researches in your work in studio?

Electronic music is based on science and the scientific method is utilized in its creation.Theories and hypothesis are put forth and if they are practical and plausible they will tested to verify them.Some theories work and some dont,but no theory is considered too abstract.All is considered.The more radical the better.

- How long lasts work on music for "Biometric"?

There was no time frame in which work had to be completed,when the concept is comprehensive then it is considered complete.Time tables are not a part of our working ethos.

- Why did you concentrate on "Biometric" on experiments with rhythm structures?

There are rhythms throughout this work,everyone has a different perspective of what rhythm is.Percussion is not the only source of rhythm,waveforms are also rhythms.Patterns that repeat themselves is rhythm.No certain sound or percussive element is exclusively a rhythm,every element produces its own rhythm.

- Some parts of "Biometric" sounds like avant-garde classic modern music. Did you find any inspiration in this style during your work?

Actually the enviornment is the fundemental inspiration for a musical work and this embraces everything,sound,science,social structure et certa.Inspiration has no boundries.

- What is so fascinating for you in science?

Well science is a body of knowledge that mankind has accumulated over the ages about the natural world,the greater universe.We use this knowledge to gain command over nature for the progress and benefit of the human race.Science is imperative for our survival and progress,so I would not say its facinating but more essential.

- Is science a kind of art?

To a certain extend you could say this.It takes skill and improvisation to unlock the hidden secrets of the natural world.Science has a beauty all its own.Science and art always interface to create something new and innovaitive.Take electronic music for instance,this is the perfect example of the science and art interface.The term art has many connotations.

- What dangers do you see in progress of science and technics?

Science and technology are not perilous at all,its the people that control it that are dangerous.Atomic energy does not threaten our very existence its the powers that be and other subversive elements that make it threatening. We are our own worst enemy,not science and technology.People always fingerpoint inventions when their masters should be the ones that are singled out. Machines dont make decisions(at least not now)human beings do.

Author: Pawel Gzyl


 

RECENZJE

+ Tony Scott - Music for Zen Meditation / Music for Yoga Meditation
+ Acid Mothers Temple & Melting Paraiso UFO/ Escapade - A Thousand Shades of Grey
+ Toho Sara - Hourouurin
+ Oz Fritz - All Around The World
+ Fourcolor - Air Curtain
+ I treni inerti - Ura
+ Desiderii Marginis / MOoan / Artefactum - Lost Signals From Unknown Horizons
+ Moan - Endemia
+ Genetic Transmission / Moan - Collaboration 1
+ Hermh - Before the Eden - Awaiting the Fire
+ Closterkeller - Reghina
+ Sieg Uber Die Sonne - +1
+ Mount Sims - No Yellow Lines
+ Slam - Year Zero
+ Special Music For Special People
+ Du Bist Die Stadt
+ Steinbruechel - Skizzen
+ Sten - Leaving The Frantic
+ John Tejada - Logic Memory Center
+ Telemen - God Is A Computer
+ Takeshi Wada - Meguro
+ Der Zyklus - Biometry
+ McEnroe - Five Years In The Factory
+ Misc. - Crunch Time
+ Monobox - Molecule - Remixes
+ Kim Peers - Tell Me More
+ Phonique - Identification
+ RadiQ - Graffiti & Rude Boy 67
+ Reverbaphon - Our Hearts Beat With Joy (The Curved World Outside)
+ Senor Coconut - Fiesta Songs
+ Thomas Fehlmann - Lowflow
+ Gringo Grinder - Breakfast Included
+ Justice Vs. Simian - Never Be Alone
+ Kareem - Noctocromas
+ LoSoul - Getting Even
+ Sylvie Marks & Hal 9000 - Krazeee
+ Michael Mayer - Touch
+ Boys Noize - The Bomb
+ Steve Bug - Bugology
+ But Then Again
+ Chicks On Speed & The No Heads - Press The Space Bar
+ Def Harmonic - Embrace
+ Jake Fairley - Touch Not The Cat
+ Ada - Blondie

- - - - - - - - -

+ John Butcher - 13 Friendly Numbers; John Butcher & Gino Robair - New Oakland Burr; ohn Butcher / Toshimaru Nakamura - Cavern With Nightlife
+ Taylor Deupree - January
+ Sheriff - Sheriff
+ Shank - Do
+ Various Artists - Carl Douglas - Kung Fu Fighting
+ Cecil Taylor Quintet - Incarnation
+ Elliott Sharp / Melvin Gibbs / Lance Carter - Raw Meet
+ Larry Ochs / Joan Jeanrenaud / Miya Masaoka - Fly Fly Fly
+ JIM BLACK - AlasNoAxis - Habyor
+ El-P - High Water
+ Robert Wyatt - Solar Flares Burn For You
+ Peter Brotzmann / Joe McPhee / Kent Kessler / Michael Zerang - Tales Out of Time; Peter Brotzmann - 14 Love Poems plus 10 more

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WYWIADY / RELACJE

+ Music Genera
+ Tune in, Turn on, Free Tibet, albo "duchowa" muzyka świata - Ghost
+ Machines doesen't make decisions - Heinrich Mueller - wywiad